‘greedy for form’

I’m back to work on my final chapter which looks at form in far more detail than I’ve been able to do elsewhere.

The work is fiddly, intensive and at times very difficult – but since so much contemporary poetry is prosaic in that it uses full sentence constructions, the formal technique is what differentiates poetry from prose. As such, this is possibly the most important chapter – hence why it is last, and why it will hopefully tie up all the themes from previous chapters.

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